2026-05-21

New High-CRI LED Moving Head Sets New Standard for Theater & Broadcast

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Guangzhou, China – A leading stage lighting R&D team based in Guangzhou has unveiled a next-generation LED moving head designed specifically for theater and broadcast applications. The fixture achieves a remarkable CRI of 98 and R9 of 95, ensuring skin tones and fabrics appear natural under any color temperature.

Engineered with ultra-silent cooling and flicker-free drivers, the new unit eliminates the risk of noise interference during quiet dramatic scenes and on-camera stroboscopic effects. Its proprietary smooth dimming curve mimics traditional tungsten lamps, allowing lighting designers to transition seamlessly from deep blackout to full brightness without visible steps.

The fixture also features a modular color mixing system combining CMY, RGBL, and variable CTB/CTO filters, granting precise control over pastel washes and saturated hues. Early adopters from major opera houses and TV studios have praised its reliability during long rehearsal and broadcast hours.

“This is not just a technical upgrade; it’s a tool for emotional storytelling,” said the lead designer. “We wanted to give designers the freedom to paint with light without worrying about hardware limitations.”

Guangzhou, China – A leading stage lighting R&D team based in Guangzhou has unveiled a next-generation LED moving head designed specifically for theater and broadcast applications. The fixture achieves a remarkable CRI of 98 and R9 of 95, ensuring skin tones and fabrics appear natural under any color temperature.

Engineered with ultra-silent cooling and flicker-free drivers, the new unit eliminates the risk of noise interference during quiet dramatic scenes and on-camera stroboscopic effects. Its proprietary smooth dimming curve mimics traditional tungsten lamps, allowing lighting designers to transition seamlessly from deep blackout to full brightness without visible steps.

The fixture also features a modular color mixing system combining CMY, RGBL, and variable CTB/CTO filters, granting precise control over pastel washes and saturated hues. Early adopters from major opera houses and TV studios have praised its reliability during long rehearsal and broadcast hours.

“This is not just a technical upgrade; it’s a tool for emotional storytelling,” said the lead designer. “We wanted to give designers the freedom to paint with light without worrying about hardware limitations.”


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